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The song’s transition is haunting, sudden and brutal, and we can certainly say the same for the video’s literal shifting of gears. Every police needs a car every key change needs some ignition. Manson rejected him, so the concept ended up in the video for “Karma Police.” It’s as if some kind of supernatural, freely associating force led to this result. Story goes that Jonathan Glazer, the video’s director, initially pitched the idea to Marilyn Manson for a different song entirely. It’s actually sort of amazing that the song’s content and its video match up so nicely. When the minute’s up, deathly tortures will undoubtedly rain down. This too plays out in the video, but the line is both blessing and curse: the disappearance at the end is mysterious bliss but temporary. “For a minute there, I lost myself,” Yorke wails.
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And what a frightening hell this is, where the sheer panic felt in response to approaching fire lasts an eternity, only to lead to a second eternity of actual burning.
LYRICS TO KARMA POLICSONGS LIST OK COMPUTER RADIOHEAD DRIVER
Stated Jesus-style, the message might say, “Blessed are those who don’t fuck with others, for they shall avoid getting fucked over themselves.” It helps that flames of terror are involved-the driver of the car has hell to pay for the initial pursuit.
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“This is what you’ll get/ When you mess with us,” goes its notorious refrain. It’s a simple scenario that feels somehow both constructed and real: it’s a parable but a palpable one. It’s set ablaze, but somehow the camera contorts to reveal that Yorke has disappeared from the backseat. The vehicle reverses to avoid the flames, but, in the end, it cannot elude them. Behind his back, he lights a match and lets it fall onto the gas-soaked ground to create a blaze that moves towards the car.
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But when the car stops, it suddenly becomes clear that this man has sinister plans for the petrol that the auto has pissed out onto the asphalt. Its headlights discover a man who runs and runs, presumably fleeing the vehicle. Even the texture of Thom Yorke’s head gently presents itself to our grasping fingers.įor those not familiar with the video, its basic premise goes something like this: a car drives forward in the night, while Thom Yorke slinks down and listlessly lip syncs in its backseat. The inflexible metal of a Chrysler car, the automobile’s velvety interior, the bruising ruggedness of the asphalt road, the soft heat of the headlight glow, the eventual alchemical transformation of this glow into the fuller blaze of fire-these seem to make contact with us directly. “ The music video for Radiohead’s “Karma Police,” directed by Jonathan Glazer, is futuristically, undeniably tactile. Spectrum Culture looked inside a music video that is so innovative and memorable: Directed by the hugely acclaimed and talented Jonathan Glazer (who, in addition, has directed the video for Jamiroquai’s Virtual Insanity), I wanted to go into more depth about one of my favourite videos. I especially love the video for Karma Police. Released as a single on 25th August, it is one of Radiohead’s very songs. One of the greatest and best-known songs from OK Computer is Karma Police. After twenty-five years, the band’s third studio album remains so inventive and vital. It is such a seminal and important release. Ever released, Radiohead’s OK Computer turns twenty-five next month.